
Social reality is captured in "Photogenesis"
and it is "Symbiosism" that metabolizes it
to deform and fragment it
until it gives it meaning.
Chicote CFC / 2012

CHICOTE CFC
FROM THE PERSPECTIVEOF
A DEFORMED VISIÓN...
WHAT IS THE ART...?

The notion of the artist has expanded to such an extent that, in the present context, its meaning has partially lost its conceptual clarity. The proliferation of creative practices across virtually all areas of everyday life has blurred the traditional boundaries between what is artistic, functional, and technical. In this scenario, creativity has become a widespread attribute, present across multiple disciplines and professions, contributing to a continuousāand at times impreciseāredefinition of what we understand as art. This process has led to a profound transformation in the hierarchy of visual languages, where different forms of production coexist within the same field of validation, without always maintaining clear distinctions in terms of intention, depth, or conceptual relevance. Contemporary art, particularly within the field of visual arts, now develops within a space of tension between traditional languages and new forms of expression derived from technology, digital imagery, and hybrid practices. This coexistence has expanded the territory of art, but it has also increased its definitional ambiguity. Within this ongoing process of redefinition, a critical reflection on the criteria that determine artistic value becomes necessaryānot as a form of exclusion, but as a search for meaning within the current multiplicity of visual discourses. From this perspective, the artistic practice presented here is positioned within a desire to reconsider the concept of value in contemporary art, addressing criteria that allow for a renewed sense of structure without denying the complexity of the current context. In this sense, art may be understood as the highest expression of creative and imaginative talent, where technical skill does not necessarily represent its ultimate achievement, but rather a prerequisite within a broader process of meaning construction. As a guiding framework, a work may attain artistic consistency when it integrates, in a non-hierarchical but interrelated way, elements such as originality, a significant aesthetic level, a relevant degree of complexity in its execution, a solid conceptual or theoretical foundation, and the capacity to evoke admiration beyond mere provocation.
ARTIST
TYPOLOGY...
"We have been copying for more than 5,000
years, we do nothing but transcribe
and reinterpret our environment"
Chicote CFC / 2012
CONCEPTUAL ARTIST:
ā
That as its name indicates, from which part an idea, conception or approach and whose final work is basically composed of elements already manufactured previously or has been made by other artists or operators, being he a mere supervisor of the process.
āāā
PLASTIC ARTIST:
ā
One in which both the origin and the provenance of the elements of conception or approach of the work are combined, as well as that of its total and integral execution or elaboration. He is in himself, completely, the beginning and the end of the work.
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ART
STEREOTYPES...
EPHEMERAL ART:
Any work, act, show, representation, composition, assembly or installation that due to its uniqueness or peculiarity can only be exhibited, staged or interpreted for a limited time. Therefore and as an accreditation of the event, only testimonial images or speeches remain.
ā
PERDURABLE ART:
It includes any work or artistic representation projected with the purpose of not being subject to periods or time intervals that limit its observation or contemplation. In your case, if you are a participant in an eventual circuit, it must always have a stable location where it can be appreciated.
“Art is that which attains the condition of being sublime, admirable and desirable,
while remaining almost unattainable.
It defines an excellence within reach of very few and renders irrelevant
that which all of us are capable of.”
Chicote CFC / 2012

CHICOTE CFC
Multidisciplinary Artist

"Art has reached that point where much of the society's values are,
you pay expensive what just okay nothing and is what really gives you value.
We revalue the lie and tarnish the certainty."
Chicote CFC / 2012
It is mistakenly assumed, there are prejudices formalized in advance by established stereotypes about what art is and is not, that we are conditioned when defining what is to be considered art and what is not, but this is undoubtedly a misconception that benefits those who never really were and never will be artists and who use the tongue twister of dialectics to achieve that purpose.ā If this were so, it would be allowed (as unfortunately is already happening) that everyone could be an artist, with or without qualities, and that everything would be valid and admitted as an object of worship, thus making art as such lose its true value, coming to question its very existence.ā If we do not establish a clear difference between what is good and what is abnormal, a child will never know if what he is doing with his behavior is a benefit or a detriment and therefore in his conception these words will completely lose their value and their meaning. meaning. The result will be that most children when they reach adolescence will end up being delinquents without guilt or remorse. For this reason, it is necessary to establish rules and conditions (which are not prejudices) so that every game can be understood, respected and learned by everyone. This is as obvious as the fact that if the rules of the game are not applied to a deck of cards, it would have no use at all, they would be mere postcards worthless.
